Jazzy Cubango – a DJ, a teacher and an events organizer

Jazzy Cubango is one of those people who doesn’t need to be presented. I offered him to talk without almost knowing him, and he politely agreed to find some time to answer questions for my blog followers. I’ve always admired his intriguing eyes, that have already conquered many dance-floors around the world. I would take him to the list of Top 10 seducers in kizomba. But what do we know about him, besides his outstanding appearance?

Jazzy is an organizer and co-organizer of three festivals: “Let Me Kizz You”, “Paris Kizomba Congress” and “Castle Limouzikiz”. He is a DJ and a kizomba teacher. I’ve danced with him a couple of times. I consider him a comfortable dancer. I went to some of his festivals some time. I’ve listened to some of his DJ-sets as well. I saw some of demos of his workshops and obviously I saw his face on every photo of Russian kizomba girls. But still I’m sure that neither me, nor you know much about this guy. So, shall we discover this charismatic and handsome man together?

THE INTERVIEW:

  • Let´s start by your name: why “Jazzy Cubango”? What does this nick name mean?

In my life I practiced several types of dances. I started when I was young with the Caribbean folk dances from where I was born. Then Hip Hop, Cuban salsa and the Dominican bachata and afterwards I came to Kizomba and Urban kiz.

My nickname “JAZZY” comes from my teenage years when I started dancing Hip Hop and I was also a saxophone player… My style was mixed with the Jazz Rock (based on footwork), and my friends called me “Jazzy”. Then naturally everybody started calling me like that till nowadays.

“Cubango” comes from Cuba and Angola, as the first dance school I created in 2012 was called “CubAngo Connexion”. Because these are the two dances that I taught the most and that marked a good part of my life.

  • Do you still play saxophone?

sax

Well, I haven’t played it for about 10 years and it´s always been in my parent’s apartment. But when they retired and moved to Martinique, they gave it back to me. And now it´s at my place.

  • When did you get to know kizomba? Who was/were your teacher(s)?

In 2009, at a festival of Kenzo Medi in France. It was a Salsa festival, but the first one where I got to know Kizomba. Then I travelled to Poland and Portugal to learn more about this dance. And I met for the first time Kwenda Lima, Afro Latin Connexion and many others. They were my first teachers and inspiration.

After that, in 2010 I created the first 100% Kizomba Festival in France with my then girlfriend Estelle – the Kizomba Swimming Festival. I brought Pitchu and Vanessa, Albir and Sara Lopez, Afrolatin Connection and other artists. For the first 3 years it was the only one pure kizomba festival in France. Afterwards everybody started doing it as well.

Four years later I launched “Paris Kizomba Congress” with Fred Maestro. We are partners with him till now.

  • You are a multi-task guy, playing several roles at the same time on the dancing scene. What brings you most personal satisfaction: dancing, teaching, mixing or organizing events?

Teaching is the thing that most makes me happy. But during all my life I’ve always been in music and organised things.

The common thing that I find in each of these activities is sharing happiness with people. When I organize events or teach dancing steps or play music, I share my happiness with others… It is the meaning of the bird “colibri” that I have tattooed on my neck.

jazzy tattoo

 

  • Do you have only 1 tattoo?

hybiscusNo, I have 2. The other one is on my back- it´s hibiscus flower. It represents Martinique (I´m from Martinique). They call Martinique – The Flower Island. And the main flower representing the island is Hibiscus. The tattoo is a mixture of Hibiscus with the musical note “sol”.

 

  • Do you have favorite destinations?

Yes, I have. I travel almost all over the world. But my favorite ones for dancing Kizomba are Russia, Croatia, Sweden and some others. Because I found their people have really good and positive energy.

I like Russia because the dancing level of girls is very good. Russian girls are very conscious about their femininity. They really live the dance! Others can be technically good, but they care more of the visual aspect. It´s more intense on the emotional level with Russian ladies.

  • Do you have a teaching partner now (for workshops)? Who is she?

I had one. Her name is Dana. We worked together for one year. She lives in Germany. It was a bit difficult to meet.  Now I have no partner.

  • Do you give regular classes in Paris on working days or only while travelling to festivals at weekends? Do you give private lessons as well? How much does one cost?

Three years ago, I stopped my regular classes in Paris, because I was travelling almost all the time. Now I focus myself on festivals abroad and on the organization of my events – “PKC” and a new concept “Let Me Kizz You”.

I give exclusively private classes and sometimes one-time workshops in France.

  • I always ask this question to “decision-makers” of Kizomba: if it was in your power to change something on the kizomba dance scene, what would it be?

If I had to change something? Hmmm… I would not change anything about kizomba or urban kiz. I find it perfect! That’s why it attracts so many people. The only thing that could be good is to change the attitude of some people, who are not passionate about the dance itself, but who are there just to take advantage of the scene. People with bad intentions, taking themselves for who they are not and judging others. But unfortunately, we cannot change the mindset of others.

  • I´m sure that many ladies constantly ask for your attention. How do you refuse some? Do you feel uncomfortable to say “no” to a dance? In what cases do you refuse a dance?

I feel very uncomfortable to say “no”. Even if it’s only for one dance I try to say “yes”. But the thing is, people cannot imagine how many times a teacher is asked for a dance. It’s impossible to dance with everyone. And now I’m also a DJ. Thus, I have even less time to dance at festivals. It’s more difficult.

Teaching and mixing takes twice as much energy and time… So usually I reply something like “not now” or “later”, if at that moment I’m busy or tired.

Anyway, I always keep one hour during the night to dance with everybody and some time for myself.

  • Where and how do you see yourself in 5 years?

Maybe I will still be organizing festivals in France or in other countries. Maybe I will be still working as a DJ. I really don’t know. I’ve been in kizomba for 8 years now. It changes a lot in a good way as well as in a bad way, but I stay always addicted. So, let’s see what happens next. I’ll be in the music that’s for sure.

  • What advice would you give people who have just came to this kiz-world, according to all your experience?

Dancing can be a passion for some people and entertainment for others. A fun can become a passion. If you come to the kiz-world, keep in mind that this is not true life … Do the separation between the positive and negative things, keep only the positive for yourself and live your kizomba as you feel.

  • What can you tell the world about David Giboyau?

Nothing special. It’s just my real name, in normal life. The name on my papers

  • Could we learn something about your real life, like what do you do apart from kizomba?

Ah, you already know my real name. I work in the French National Train Company, managing train stations in Paris. I’ve been doing it part-time now for 5 years, to free up more time for dancing and travelling.

I always do both: real life activities and the music.

  • Many people, who are so much into the dancing scene, just leave their normal everyday jobs and dedicate themselves completely to music. Why do you still keep your job?

I could leave it, but I always think about the future, about what could happen. You never know if one day I had an accident, then at least I would always have a normal job. Besides, I have a lot of benefits here. I have free transport in France and all neighbouring countries, like Belgium, Netherlands, Germany, Spain, etc., anywhere where I can depart from Paris by train. It’s very comfortable in terms of money savings)

  • I´m sure half of female kizomba population would like to know at least if Jazzy Cubango has a girlfriend. Do you?))

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Jazzy Cubango Facebook page:

https://www.facebook.com/cubango.jazzy/

https://www.facebook.com/jazzycubango.new

https://www.facebook.com/JazzyCubango.kizomba/

Born dancer – BODY KIZ LANGUAGE

   Let me introduce you to a born dancer, a man who´s been on the stage for over 12 years, who had made his long dancing way to kizomba through different styles and experiences. Harvey BKL (David by his real name)!  Music is in his blood. It´s his devotion and philosophy.

  I met him last year on the dance floor. I asked myself why becoming a teacher in Paris with such an incredible rivalry. Would he ever find enough students to open a course? What is so special about him that people come to learn from him?

  • What is your story?

I have been practicing the art of dance since 2006. I started with Hip-Hop were I met the international teacher Ledoux Danza, who was teaching hip hop yet, but who was not dancing kizomba back in the days. Then I was involved in my first project: Illusion Optique show.
We were a troupe of street performers. We brought a lot in the streets environment in Paris and Europe with new entertainments technics. After that I decided to learn academic dances like ballet, jazz and modern (Alvin Hailey jazz and Graham method). I passed the admission to the Académie Internationale de la Dance in Paris. I took class there every day from 8.30 am to 5 pm for 3 years, that helped me a lot to develop my dancing skills.

With Illusion Optique we decided to travel to conquer the streets if foreign countries (USA, Italy, Germany, Spain, England, Sweden, Belgium), where we had a great success. We created a company specialized in entertainment and we presented shows everywhere we went.

One day I decided to stop our project, because we didn´t share the same point of view and we couldn’t agree on which direction to take…. We were losing our artistic authenticity, that had been our strength, for the sake of money. I was teaching a lot as well at that moment.

  • When and why did you get into Urban Kiz?

I got into urban in 2015 because I found the same freedom that I had had in hip hop. The freedom of creation. Soon I wanted to improve in kizomba dance.

  • Who were your teachers?

I took classes with Enah and Curtis. I also met Anais Millon by talking her class first, and afterwards I took part in her company project. I was her show-partner for 8 months. I learned a lot from her as she trained me a lot. And i had the opportunity to assist her during at workshops during this period (Work hard play hard). Our collaboration finished in January 2017. Then I created my own concept “Body Kiz Language”.

  • What is it about?

Basically, I really believe that dancing is a way of communicating. Through body movements (no matter which style) we can tell a lot and we can create emotions, sensuality, seduction. I dedicated a lot of time to it in in my dancing. I’am a hardworker because i’m convinced that no matter the talent you have it will not replace the job you do to improve. Everything I have I built myself and I’m proud of it! I’m not the best, but I can make people improve and give them advice how to dance better due to my dancing experience.

Ultimately this concept is about mixing styles… I express myself in the dance with different influences i got form my artistic background and I want to explore it in a new way in urban kiz, pushing a little bit more the boundaries to see what happens. For me the dance is always evolving… we are all part of it. I understand that people might think differently than me, but I think that it’s the choice you make to be a part of this evolution…

I’m new to teaching in kizomba and I’m happy that at the end of all my workshops my students have smiles on their faces and overall motivation to improve!

  • And now I see you teaching and performing with a new nice lady. Can you tell me a bit about your partnership and professional plans for the nearest future?

28378082_1592360110871469_8767355662596462181_nYes, its Nina Ysnel! We started working together in December 2017 to perform for an event against orphan diseases. It was a very nice experience. She is a very talented and complete artist doing painting and creating clothes and objects. We started working together in December 2017 and she’s also my girlfriend. Its always touchy to mix those two environments…. but its possible and for the moment we are doing very well! She has ballet dancing background and was one of the first to bring some fusion in the lady styling with moved like “ronds de jambes” and “fendus” picked from ballet dancing vocabulary. She’s also very experienced in the kizomba scene due to her previous partnerships…

So, we are working on mixing her universe with mine and our differents projects are on they way. Its coming soon 😉

  • I know you love kizomba. But is there anything you would change in the kizomba world if you could?

There are few talented and inspiring dancers i’ve seen that don’t get the visibility that they deserve…. I just think its sad.

Business is business, yes. but just let’s not forget that art is art too.

For the rest, people enjoy this world the way they want to, I’am noone to judge… 😉

 

  • If you had to move to teach in a different place, what country would you chose? Where do you like to dance most?? Do you have favourite destinations?

 

I would be happy to teach everywhere… the priceless value of this passion is to meet amazing people and share with them something priceless! I Like to dance foreign because the mentality is different than here and I find people more open and more friendly and respectful. This might upset some people but its my opinion.

No favorite destination!

 

  • What is your dancing dream?

My dream is to constantly improve and share this passion by dancing and teaching to many people as possible with my partner. I would like also to learn new dances and explore Always and always.

  • Where can people find you in Paris?

We are on some projects for the moments, so we are available only at weekends for teaching. Nevertheless,e will soon launch a weekly classes in Maison Alfort. We will communicate accordingly.

For the parties and festivals where we will be teaching people  can learn from our Facebook page .

 

 

FB page link “Harvey & Nina”:  https://www.facebook.com/harveyninakizomba/

FB page link “Body Kiz Language”:  https://www.facebook.com/BodyKizLanguage/