Lady Styling concept in kizomba by Inna Jadore
Once upon a time in a beautiful city of Munich there was a girl called Inna. I met her for a little talk in the evening to tell me about her Lady Styling teaching. Inna has lived in Munich for almost half of her life, but originally, she is from Bulgaria. I will never forget the first time I saw her dancing. It was at Kizomba Luxembourg Festival 2nd Edition. It was one of the first festivals in my life, at the morning workshop with Donald Wilson. He didn’t have an official partner at that time, and he took Inna from the crowd of students for his Demo at the end of the workshop.
I was watching her move and wondering how perfect her body was and how well she was following. She had been dancing Kizomba for a year by then, but clearly, she impressed me with her dancing skills.
Later, I discovered that she started dancing when she was 6 and practiced different dance styles like ballet, modern dance, Bulgarian folk dances, hip hop, salsa (all styles), bachata and a bit of tango.
The weather was hot, we stayed at one of the main Munich attractions area on a fancy terrace tasting local beers. I started from the middle:
- Are you planning to continue with your Lady Styling or looking for a partner?
It’s both actually. I’m not only looking for a partner, but my main goal is to continue developing myself and teaching techniques, like body technics and musicality, which are essential for the kizomba dance and which I teach not only for ladies but for men as well. I have at my workshops men and women. The thing is that organizers prefer to call the class “Lady Style”, because it’s well known, and therefore well accepted title.
Lady Style is just one aspect of everything. I prefer to teach body technics, musicality, body isolation, which is relevant for men and women at the same time, and the techniques about the way a couple interacts with each other, how they communicate to each other. I think this is the key for dancing together and interpreting the music again together.
Of course, having a partner it would be an enrichment. At the same time, I would like to further develop myself as a leader as well… And I believe that not only men can teach a couple dance (kizomba, urban kiz or tarraxa etc). This is what we can do very well, the women, too.
- What is “Lady Styling”? I personally don’t understand this concept, because I believe that every person has its own style, so when somebody tells me how to move my body, it’s kind of useless, might not be applicable to the way I am. So, how could Lady Styling influence on me? Why would I need it?
To me your question has to do with two different topics. For the definition of a dance style means – what kind of a dance style or genre we are talking about. About kizomba, salsa and urban kiz, So for me there is lady styling for the different dance styles. . When you go to a workshop you should check what kind of Lady Style it is. It could be everything.
It can be just an inspiration, giving you an idea how the style can look like and how you can develop yours based on the genre and certain dance elements, but there’s no certain lady style as a dance style. It should be just an inspiration or motivation to create your own style, showing your body, leading and following technics.
So, the lady style class is not only about moving your body on your own, but how to implement a movement while dancing with a partner. And there’s another very important thing, that your partner gives you some space for interpreting music with him together, but not using you only as a marionette.
- But you can’t ask a man before the dance: “Will you give me some space for interpretation?”
You can give him an idea that you want to express yourself. Because it’s about adjustment of both parties to each other. A couple dance is when you get to know each other in the dance and you find the harmony between you both. Only then a couple dance can be fun and look beautiful. So, the question is: can a leader listen to the partner while leading? Because communication in the couple is sending and receiving or finding the balance.
- I thought that kizomba is the type of dance where women cannot take initiative or improvise. To my understanding, I must be a plasticine, letting a man do with me whatever he wants. The only thing I do is follow.
I cannot completely agree with you. It’s clear that in kizomba you have less possibilities than in other types of dance to interpret on your own, it’s true. But in kizomba you also have your body movement GINGA while following which you can use without being led to implement it. So, you can add your own flair in that space. It’s not just a style but how ladies and men move across the styles.
- A body WHAT??? (I was ashamed for not knowing what it was after almost 4 years in kizomba)
Ginga! You really don’t know what it is? Oh my God! It’s a key element of the kizomba dance! Normally it’s the lady styling movement in the kizomba, but men can also move like that. It’s the bunda movement.
In other styles, like urban kiz and tarraxa you have more possibilities to put your personal interpretation of the music, where possible, if your partner gives you this possibility. It´s not only about following. It´s about expressing you both in the couple dance.
- Do you know why I actually called you? I saw you in the rating of Top 5 most popular female kizomba dancers 2016 according to The Kizomba Channel, scored for their skills, interview/professionalism and popularity on The Kizomba Channel.
A personal statement about me: Popularity is not the most important thing for me. For me the most important thing is that I can share my knowledge with my students and I see, that they are more motivated, more excited about the dance, that they are enabled to enjoy the dance after my workshops. It´s not that about the quantity, but about the quality at workshops, that counts for me.
- I bet that any teacher now in front of me would reply something similar, as they are all very nice statements that everybody uses. All festival organizers repeat ” We prefer quality to quantity”.
How many people on average would attend your workshop?
I don´t have regular workshops. I´m organizing the second lady styling boot camp in Munich now. And I start teaching in Munich after some years of dancing internationally and teaching abroad. Most of the time I teach at festivals. And at festivals it´s between 25 and 100 people per workshop. But I see, that the less people I have, the deeper and the better we go through the stuff.
- How do you make the difference with other lady styling teachers?
I cannot talk for everyone, but I can talk for myself. I always have open level workshops. The most important thing is that everyone attending my workshops understands the basics of kizomba dance, knows its elements and can differentiate the music and the genres. So that at festivals they know what they are supposed to dance to a certain type of music. This is how I start my workshops.
I think everyone has a different perception, a vision of the dance, and it’s hard to find someone having the same vision. But it’s about sharing things and communicating them to people, and inspiring people. This is for me the most important thing.
- How do people normally become an official teaching couple? You just have a good connection on the dance floor and say like “Oh, let’s teach together!?”
There is no scheme for that, but I’m pretty sure that the connection that you have at a certain moment is not enough to be a teaching couple. There are so many more aspects, like having the pedagogical understanding and skills, having experience in communicating with students, inspiring them… Most importantly they must have the same vision for everything. Therefore, I think that the two need to get to know each other first.
- In your opinion how a good teaching couple is supposed to be?
There are many aspects of being a good teaching couple and there are many essential things I mentioned already, but repeating myself, both should be able to communicate to each other properly and communicate to their students in a proper, effective way, transmitting not only their skills, but their vision and inspiration as one!
Leaving this conversation in the same place where I started it, I’m finishing my post thanking Inna for finding time to show me a piece of Munich and sharing with me her thoughts on Lady Styling and couple dance. I will continue watching her dance, but now, having the chance to get to know her better, I will look at her differently…